耶日·斯图尔

搜索"耶日·斯图尔",找到12部影视作品

优胜者
导演:
/菲利克斯·法尔克
剧情:
生命的烙印
导演:
/克日什托夫·基耶斯洛夫斯基
剧情:
政府不顾民意反对,执意要将古老宁静的小镇变作一家大型化工厂的所在地,并言如此可以大大增加就业机会。有丰富企业管理经验、对党忠诚的Stefan Bednarz(Franciszek Pieczka)被任命着手这一切。小镇是Bednarz和妻子(Halina Winiarska)的故乡,两人多年前曾因一起事件离开,今Bednarz要妻子同去,被拒。   工厂建成之初,虽有居民抗议政府的暴行,但一切还算顺利。投入生产后,之前居民担忧的环境会日益糟糕等问题凸显,政府与居民的关系开始紧张,Bednarz做中间协调人几近憔悴。而电视台导演(Michal Tarkowski)对工厂的持续关注、助手(Jerzy Stuhr)将居民意见刻意过滤、被迫与当年迫使他和妻子远离故乡的旧敌搭档工作、女儿(Joanna Orzeszkowska)的渐行渐远等事情,则令他慢慢明白自己...
蓝白红三部曲之白
导演:
/克日什托夫·基耶斯洛夫斯基
剧情:
卡罗尔(泽比纽·扎马洲斯基ZbigniewZamachowski饰)藏在妻子多明尼(朱丽·德尔比JulieDelpy饰)的行李箱中,从波兰偷渡到了法国。天堂般的生活并没有如愿展开,换来的是卡罗尔心中巨大的生活压力。他甚至失去了性能力,被多明尼赶出家门。带着妻子有了外遇的惨痛心情,还有一张美发师证书。卡罗尔决心回到波兰经营事业,再卷土重来。历尽波折的卡罗尔终于回到自己的国土。他积极上进,忙于谋生,竟在房地产生意中打了漂亮的翻身仗,一举成为百万富翁。此时的他,以为可以让多明尼回到身边,然而妻子的拒绝却令他的自尊大为受伤。于是,卡罗尔决定用一场阴险的计谋,狠狠给妻子一个报复。然而当卡罗尔得逞后,他又能换来什么呢?
影迷
导演:
/克日什托夫·基耶斯洛夫斯基
剧情:
  菲腊花了两个月的薪金买下八米厘摄影机,本想纪录刚出生女儿的成长,但厂长却要求他为单位服务,拍摄联欢晚会;误打误撞下,居然给他在电影节里捞了个奖。他登时雄心万丈立志成为纪录片大师,冷落娇妻也在所不计。但镜头下的真实却不是人人吃得消。当人民英雄的代价是好同事成了活靶,最後菲腊要在成名与道义之间作取舍。
等待方舟
导演:
/皮奥特尔·舒尔金
剧情:
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
彻彻底底
导演:
/格热戈日·克罗利基耶维茨
剧情:
  波兰百佳之一,根据波兰三十年代画家Jan Malisz及其妻子Maria Malisz真实谋杀案改编,讲述一对受压迫的贫穷夫妻不得不走上犯罪之路的故事。
蓝白红三部曲之白
导演:
/克日什托夫·基耶斯洛夫斯基
剧情:
卡罗尔(泽比纽·扎马洲斯基ZbigniewZamachowski饰)藏在妻子多明尼(朱丽·德尔比JulieDelpy饰)的行李箱中,从波兰偷渡到了法国。天堂般的生活并没有如愿展开,换来的是卡罗...
等待方舟
导演:
/皮奥特尔·舒尔金
剧情:
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.   Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bi...
未来的太阳
导演:
/南尼·莫莱蒂
剧情:
  南尼·莫莱蒂导演《未来的太阳》将于今年3月开始拍摄,拍摄时间为3个月。本片由马修·阿马立克担任主演,他正在为这个角色学习意大利语。
蓝白红之白
导演:
/克日什托夫·基耶斯洛夫斯基
剧情:
  卡罗尔(泽比纽·扎马洲斯基 Zbigniew Zamachowski饰)藏在妻子多明尼(朱丽·德尔比 Julie Delpy饰)的行李箱中,从波兰偷渡到了法国。天堂般的生活并没有如愿展开,换来的是卡罗尔心中巨大的生活压力。他甚至失去了性能力,被多明尼赶出家门。带着妻子有了外遇的惨痛心情,还有一张美发师证书。卡罗尔决心回到波兰经营事业,再卷土重来。  历尽波折的卡罗尔终于回到自己的国土。他积极上进,忙于谋生,竟在房地产生意中打了漂亮的翻身仗,一举成为百万富翁。此时的他,以为可以让多明尼回到身边,然而妻子的拒绝却令他的自尊大为受伤。于是,卡罗尔决定用一场阴险的计谋,狠狠给妻子一个报复。然而当卡罗尔得逞后,他又能换来什么呢?
我债免我责
导演:
/Antonio,Morabito
剧情:
  他不仅丢了饭碗,还欠人一屁股账。活路不是没有,但良心将备受谴责。
十诫
导演:
/克日什托夫·基耶斯洛夫斯基
剧情:
按照《圣经》“出埃及记”的记载,《十诫》是十条上帝对人类的戒律。而基氏所讲述的是十个现代版离经叛道的警世恒言。十段短片都是普通人在平凡生活中发生的故事,却向我们提出了有关道德人性、宗教伦理、科学理性等...
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