Ellis
搜索"Ellis",找到94部影视作品
导演:
/Todd,Holland
剧情:
小狗雷克斯是一条家喻户晓的明星犬,它在好莱坞的地位堪比一线明星,它吃着精细贵重的狗粮,被影人粉丝簇拥,终日过着养尊处优的快乐生活。然而一场意外让雷克斯无忧无虑的日子发生翻天覆地的转变,在一次拍摄中雷克斯不慎从几千米的高空坠落,而它的同伴都认为它必死无疑。事实上,雷克斯幸运地落在一辆拉载番茄的卡车上,几经辗转来到了12岁的小男孩谢恩·费伊(JoshHutcherson饰)的家中。谢恩生活在一个单亲家庭,他跟身为消防队队长的老爹克纳(BruceGreenwood饰)简直是一对斗气冤家,雷克斯的到来更使费伊热闹了几分。不久,雷克斯的才能被人发现,它成为一条名副其实的消防犬……
导演:
/马克·詹金
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剧情:
康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式,但如今富有的伦敦游客纷纷下山,取代了当地人,当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫,因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅,现在看来,最后一场战斗是和新主人在海边的停车位上展开。然而,情况很快就失控了,而不仅仅是因为车轮夹钳。
Bait是一种黑白,手工制作,16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而,最重要的是,在影像中不同层次的电影历史参考文献之下,当前许多政治关联正在等待被发现。
The picture-postcard idyll of the Co...
导演:
/詹姆斯·伯罗斯,John Fortenberry,Scott Ellis,Ted Wass,Jean Sagal,弗莱德·萨维奇 Fred Savage,朱莉·安妮·罗宾逊 Julie Anne Robinson,Thomas Kail
剧情:
黑发泼辣的Max(凯特·戴琳斯 Kat Dennings 饰)在纽约布鲁克林区一家低档餐馆打工,餐馆同事包括小个子亚裔老板Han Lee、爱讲荤段子的厨子Oleg(Jonathan Kite 饰)和高龄收银员Earl。餐馆新来的女招待Caroline(贝丝·贝尔斯 Beth Behrs 饰)金发高挑,名媛范十足,与餐馆档次格格不入。Max对Caroline的身份产生了质疑,无意间得知Caroline曾是曼哈顿区真正的千金小姐,父亲破产后为生存沦落到店里打工。嘴利心软的Max收留了无家可归的Caroline,虽然身份背景不同,同样身无分文的境地还是令两个女孩成为了好朋友。 Caroline虽然落难,却仍时刻惦记着运用自己的商业头脑干出一番事业。她偶然发现Max有制作纸杯蛋糕的才能,便鼓励Max与自己合伙开间蛋糕店。不过要实现这一梦想,她们得设法筹集到2...
导演:
/Donald,P.,Bellisario
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剧情:
飞狼虚构的角色霍克(史特林费洛8231霍克StringfellowHawke),身分是飞狼原始试飞员之一,受雇于“某公司”(TheFirm,实际上是负责制造飞狼的中情局分处),任务是将飞狼从它的原始设计者,莫飞(查尔斯8231亨利8231莫菲特)博士(DrCharlesHenryMoffett),手中偷回来。因为博士打算把飞狼卖给利比亚。然而成功夺回飞狼的霍克(史特林),却不打算把飞机还给中情局,而是以交出飞狼为条件要求山姆大叔(UncleSam,美国的昵称),让“某公司”去寻找他失踪的兄长霍辛金(SaintJohn)的下落。辛金是在参与越南作战时失踪(MIA)的。系列电视系列剧中也描写到美国政府一直亟于找出霍克(史特林),因为他老是用他藏在内华达沙漠“天神谷”中的新玩具耍得他们团团转。最终大天使与霍克(史特林)之间的交涉终于成立,CIA必须提供美国政府企图逮捕霍克(史特林)的相关情报,并协寻辛金的下落,而相对的,霍克(史特林)也必须适时出动飞狼,为CIA的作战助一臂之力……@yakutv.cc
导演:
/Alex Zamm
主演:
剧情:
遺傳了爸爸能和動物對話的天賦,杜立德家族的小女兒瑪雅這次因為醫治社交名媛的狗而踏入了星光燦爛的社交圈。她必須想辦法駕馭難搞的神經質犬以及其他嬌生慣養的小動物們。迷失於有自己電視節目的機會,她忘了這些小動物們不是人類用來炫燿的道具。而這些小動物們也讓瑪雅發現,認真傾聽小動物們的想法比會跟動物交談的能力要來的重要多了!
导演:
/特里·李·科克
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Follows the events of the Holocaust through the eyes of an SS Soldier.
导演:
/丹尼尔·法兰德斯
剧情:
又一部聚焦曼森杀人案的电影来了,希拉里·达芙将主演《难以忘怀的莎朗·塔特》(The Haunting of Sharon Tate),饰演莎朗·塔特。1969年8月9日,时为导演罗曼·波兰斯基妻子的塔特和4位朋友在比弗利山庄的豪宅中被杀人狂查尔斯·曼森和追随者残忍杀死,距离她分娩仅剩2周。塔特被捅了16刀,凶手用她的血在家门口写下了“猪”的字样。 乔纳森·本内特饰演塔特有保护欲的前男友兼密友,莉迪亚·赫斯特也参演。Daniel Farrands自编自导,从塔特的角度来讲述在被谋杀之前她的最后时光。故事情节从塔特的一段采访中汲取灵感,在事发一年前,塔特透露她梦到鬼魂萦绕在她的房里,并预见到自己死在邪恶的邪教手中。由Skyline Entertainment投资和制作,Lucas Jarach和Eric Brenner担任制片人。
导演:
/Gary Ellis
剧情:
This would definitely not have been my kind of movie, but my husband saw it on TV and said it was really good. So, on his recommendation, I bought a copy, since I didn't know if it would ever be on TV again. I had never heard of anybody in it except Armand Assante. At first I had a hard time getting into the story, because the first part of the movie is a jumble of images-- and it doesn't make much sense. It is only later in the movie that it all comes together. The scene-cutting- if that's what it's called, is a bit jarring-- it sometimes looks as if a few frames have been cut out of each scene, and the scenes are jerky--but I guess that was done to add to the unusualness (if that's a word). The story veers here and there, and just about the time you have it all figured out, everything turns upside down and you have to readjust your thinking as to who is the bad guy and who is not. Or bad woman. The acting is very good-- I kept thinking how much Norman Reedus looks like Leo Decaprio. The ending was a real twist, totally unexpected, which I liked. A good show.
导演:
/奥逊·威尔斯
剧情:
曾在西班牙杀过人的水手Michael O'Hara(奥逊·威尔斯 Orson Welles 饰)回到了纽约,一天夜里他在路上救了遭到打劫的美女Elsa(丽塔·海华斯 Rita Hayworth 饰),于是Elsa让她的丈夫,律师Arthur Bannister(埃弗雷特·斯隆 Everett Sloane 饰)找到Michael,让他来船上当水手。Bannister一家刚从上海回到纽约,正要坐船前往旧金山。在海上航行的时候,Michael和Elsa情愫暗生。而Michael也认识了Arthur的朋友George Grisby(Glenn Anders 饰)。George知道Michael曾经杀过人后,想让Michael再杀一个人,并承诺给他五千美元的佣金,而他想让Michael杀的人,就是George自己。原来George想制造自己已经死了的假象,然...
导演:
/Lijo Jose Pellissery
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One day, a buffalo that ran away from a butcher’s runs through the whole village. All men of the village run out to catch the buffalo and make a fuss, while the peaceful village is stained with betrayal, violence, and destruction.
导演:
/让-加布瑞·贝里奥
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剧情:
2018年5月和6月,Jean Gabriel P_Riot与位于Ivry Sur Seine的一所高中的10名电影班学生合作,开展了一项将电影与政治结合起来的项目。学生们在摄像机前和摄像机后工作,重新布置罢工、抵抗和劳资纠纷的场景,这些电影可以追溯到20世纪60年代末到70年代末,包括让-卢克-戈达尔和阿兰-坦纳的电影。nos d_faites汇集了调查结果,并增加了采访,在采访中,导演询问学生他们刚刚表演的场景,关于“阶级”、“工会”和“政治参与”等概念,以及更广泛的社会背景。这是一个简单,但尖锐的设置,让观众一瞥年轻一代如何看待政治和过去的政治电影。这部影片还记录了导演试图激怒学生的企图。在导演和学生似乎处于平等地位的遭遇中,基于从未见过的导演更多类似于老师的提问,以及此时此刻对革命的思考:起义的表现反映了同样的情况。这会导致一个真实的发生吗? In May and June 2018, Jean-Gabriel Périot collaborated with ten students in a film class at a high school in Ivry-sur-Seine on a project that unites cinema with politics. The students worked both in front of and behind the camera, restaging scenes of strikes, resistance, and labour disputes from films dating from the late 1960s to the late 1970s, including ones by Jean-Luc Godard and Alain Tanner. Nos défaites assembles the results, and adds interviews in which the director queries the students about the scenes they’ve just acted in, about such concepts as “class,” “labour union,” and “political engagement,” about wider social contexts. It’s a simple, yet trenchant setup, affording viewers a glimpse of how a younger generation sees politics and the political cinema of the past. The film also documents the director’s attempts to stir up the students. The conversations vary between encounters in which director and students seem on an equal footing, based on more teacher-like questioning by the never-visible director, and contemplations of revolution in the here and now: the performance of an uprising follows reflection upon the same. Could this lead to one happening for real? 回到1968年的电影时代,继续对重放从过去跳出来的电影节选的年轻人进行今天的采访,我们的失败描绘了我们当前与政治的关系。我们的失败,还是我们有足够的力量来面对今天的混乱? By going back into the cinema of the 1968 era and going forward with present-day interviews of young people who replay excerpts of film s jumping out from the past, Our Defeats draw the portrait of our current relations with politics. Our Defeats, or do we keep enough forces to confront ourselves with the chaos of today?